Sharon Carter (
from_the_outside) wrote2022-04-08 11:53 am
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[AU] these are not the parts and poems of the body only, but of the soul
They've all entered a kind of tense détente after the ill-advised dinner party. Tony throws himself into work, Sharon and Pepper mostly avoid each other, and Steve, Vision, and Nat continue with oversight duties.
And the thing is... Tony's working it out.
Not a removal, exactly, but he's getting close, he'd told them, to at least blocking the commands. It's not perfect and it's not a permanent solution, but it's a step in the right direction. It's also a step in the direction of Tony needing to test the words on Bucky himself, and so Sharon and Steve are on extra high alert, keeping an eye out for any indication that Bucky's retreating into himself again. Sharon's mostly moved into the room they share in Steve's apartment for that very reason, though she still isn't wholly comfortable with being in Steve's space all the time.
He's away today, working with Sam and Rhodey on a veteran's outreach program, so it's Sharon who walks with Bucky through the halls of the compound towards Tony's rooms. "It's you and Vision with Tony today," she tells him, and glances across the distance they're careful to maintain when not alone behind closed doors.
"How are you feeling about everything?"
And the thing is... Tony's working it out.
Not a removal, exactly, but he's getting close, he'd told them, to at least blocking the commands. It's not perfect and it's not a permanent solution, but it's a step in the right direction. It's also a step in the direction of Tony needing to test the words on Bucky himself, and so Sharon and Steve are on extra high alert, keeping an eye out for any indication that Bucky's retreating into himself again. Sharon's mostly moved into the room they share in Steve's apartment for that very reason, though she still isn't wholly comfortable with being in Steve's space all the time.
He's away today, working with Sam and Rhodey on a veteran's outreach program, so it's Sharon who walks with Bucky through the halls of the compound towards Tony's rooms. "It's you and Vision with Tony today," she tells him, and glances across the distance they're careful to maintain when not alone behind closed doors.
"How are you feeling about everything?"
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Bucky shakes his head. "I was expecting it sometime," he says, quietly. "I knew you were getting close."
He draws a slow, careful breath. "What if it doesn't work? Putting it in place, I mean, not the block itself. Will it damage anything? In my mind?"
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Tony pulls up his datasets again, then runs a video of his multiple attempts on the proxy mind, folding his arms as he watches himself work. "And whichever ones Vision here could think of."
"I have reviewed the research and experiments and the science is sound," Vision tells Barnes. "By my calculations, the risk to your mind from the block itself, whether it succeeds or not, is vanishingly small. But there is always some risk."
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"Okay," he says, simply. "Go ahead."
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"I will place the diodes, Bucky," Vision tells him, and shows him the small round pieces of metal. Tony had tried to make sure they were as unlike the crown he'd described as possible, but he still needs something that's touching the man's skull.
"Okay," he says, and pulls up his schematics. "FRIDAY, start running the counter-program and begin recording. I want real-time updates accurate to the picosecond."
"You got it, boss," the AI answers, and an image of Barnes's mind unspools into the air before him.
Tony shakes out his fingers. "Sergeant, you're going to feel a little tingly – that's okay. If you start getting a headache, that's not. Just tell me if your head starts feeling tight or painful and we'll shut it off. Okay? Vision, okay?"
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He focuses on his breathing, trying to keep it even, trying not to let his hands or his voice shake. He's careful not to grip the edge of the chair's armrest too tightly with his left hand, and shifts a little just to remind himself that he can.
"Do I need a mouthpiece?"
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At his quiet question, Tony looks up, frowning. "A – no," he says, realizing belatedly why he's asking. "No. You don't."
This procedure isn't going to be lacing his body with electricity; there's no need to make sure he doesn't bite off his own tongue. He glances at the vitals FRIDAY is tracking: elevated cortisol levels, that seems right. "If everything goes the way it should, you won't even feel it, and I want you to be able to talk. And move around. And – no. No mouthpiece."
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"Tingling expected, any kind of headache's a problem. I'll let you know if I feel one," he says. "Ready when you are."
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"Running 'Patrick Roy,'" FRIDAY replies, and Tony keeps his eyes on the digital version of Barnes's – Bucky's – mind, watching as the program highlights the areas they've identified as the touchpoints for the command words.
He makes minute adjustments as the program runs, as it isolates the touchpoints and sets up its blockade. The touchpoints themselves are too finicky to dismantle just yet – he's not sure he can do it without accidentally wrecking everything they're attached to, and in that case the cure might be worse than the disease.
But he can shunt messages to them aside, keep the connections that need to be made from running smoothly. "At about thirty percent," he calls. "How we doing, S – uh, over there?"
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It'll keep Barnes's brain distracted, and let him keep an eye on normal functions as they go.
"Forty percent," reports FRIDAY.
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It doesn't appear he has to even think much about it.
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Tony's eyes are locked on the digital projection as he makes quick adjustments. "Okay. Know any songs? Poems? Give us a recital."
Another touchpoint glows green, and a small chime sounds. "Fifty percent," FRIDAY reports, perfectly calm.
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"You remind me of Mrs. Perkins. English teacher. She was big on the classics. 'In Xanadu did Kubla Khan,'" he recites. "'A stately pleasure-dome decree: Where Alph, the sacred river, ran / Through caverns measureless to man / Down to a sunless sea.' That kind of thing. Wasn't until later I ran across Wilfred Owen."
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Everything's looking good, but he's not going to celebrate yet, not when there's still just shy of halfway to go. "Wilfred Owen, huh? Who's that?"
"Sixty percent," FRIDAY says, pleasant.
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He'd hated the dull, disconnectedness of it. If he's going to kill himself with a drug, it's going to be alcohol. "And he was a poet? And a soldier?"
"Seventy percent," Friday tells them.
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"Both. He was both, until the war took him. It does that. Never to come home again, or not as you were. 'What candles may be held to speed them all? / Not in the hands of boys, but in their eyes / Shall shine the holy glimmers of goodbyes--'"
His back arches, sharp and sudden, and his head slams back against the rest as images flare sudden and sharp in his mind. You're my friend, Steve tells him. I'm with you till the end of the line. Seeing Sharon's worried face in Siberia. Steve's face, the feel of his friend's hand. The smell of cool mountain air and green trees.
He groans aloud, the sound of a man who's just taken a blow to the gut, but doesn't move.
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The problem with the touchpoints – the reason they work at all – is that they aren't just connected to words, but to memories. Emotions. It's all tied together into a horrible net that he can't even begin to unpick yet.
"Eighty percent, boss," FRIDAY murmurs. "Holding steady."
"Hang on," he tells her, and raises his voice. "Barnes, you good? Talk to me. Tell me what's happening."
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He tries focusing on the images that have flashed, and others. An apartment in Brooklyn. One in Paris. One in Berlin that he's never seen inside. A mountain house. Shared laughter, shared experiences, shared--
"I can still remember them," he says, after a moment. "It was just. A flood, there, for a second."
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"We're blocking the commands from accessing those memories and emotions. Just focus on them. Take a beat. Tell me when you're ready. We're close, Ba – Bucky. Almost there."
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"So this poet. A favorite? What else do you like to read?"
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"I'll read whatever, usually," he says, after a moment to think it over. "Essays. History stuff. Science fiction."
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"Ninety percent, boss," the AI reports.
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