Sharon Carter (
from_the_outside) wrote2021-05-01 03:01 pm
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[oom] you don't need to save me, but would you run away with me? // Part 2
It's a long, long week.
All the weeks here are long. She's been exhausted since she first arrived, and it hasn't gotten any easier – she's just gotten used to it.
What she isn't used to is watching what it does to Bucky.
He keeps busy, vanishing shortly after breakfast and not reappearing until well after dark, sometimes not until close to midnight. That doesn't mean she doesn't have eyes on him – she has eyes everywhere in this city. Some of what he gets up to he tells her about. Some of it she sees or hears about.
Some she only pieces together after the fact.
For example:
Four days into his stay she sees a flurry of alerts and messages about a gang of thugs that had decided to tangle with him in a Lowtown market. The videos of him throwing them into plate glass windows and walls and storefront doors travel through Madripoor like wildfire.
And then there are the rumors. It's public knowledge he killed Cade and that he's been seen with the art dealer: what no one knows is why, and the whispers grow steadily more frenetic as the week rolls on. The general consensus seems to be that the art dealer had Cade disposed of in order to help her own climb to power. More than one person attempts to contract him for help with an unsolvable problem. No one manages to hire him. No one seems to know what he wants.
Worse is that as the power dynamic between those on the lower rung vying for Selby's position fluctuates, he deliberately allows himself to be seen more often, delves more deeply into Madripoor's seedy shadows. She doesn't understand until her security catches a would-be assassin she saw coming a mile away, and then she realizes: his involvement with her, with Cade, has painted a target on her back.
So he's decided to paint a larger one on his own.
He loses weight. She pushes breakfast and dinner at him, but he eats mechanically, hardly seems to notice. The lines drawn on his face seem carved into rock. He stops smiling except occasionally when they're alone in the middle of the night, or when his phone pings with a text from Sam.
On the fifth night, he stops sleeping.
He wakes up from a nightmare he refuses to talk about, and for the next few days she doesn't see him sleep at all. He's catching catnaps like he used to back in the Winter Soldier days, she thinks, but she's not sure. Every day he's a little quieter, a little more grim.
Which is why it's so strange that her apartment is completely filled with flowers.
Everywhere she looks now, there they are: large, expensive bouquets in fancy vases on nearly every available surface. He's had one delivered every single day, and every day she hates herself a little more for bringing him here. Every day he tells her come home with me.
Every day she tells him I can't. And he looks at her with those determined, weary eyes, and her heart breaks a little more.
It's a little over a week after he'd first arrived that she's hosting clients again. The party hasn't even started, and she already wishes she had a drink.
(There weren't any flowers today. She wonders if that's a sign.)
All the weeks here are long. She's been exhausted since she first arrived, and it hasn't gotten any easier – she's just gotten used to it.
What she isn't used to is watching what it does to Bucky.
He keeps busy, vanishing shortly after breakfast and not reappearing until well after dark, sometimes not until close to midnight. That doesn't mean she doesn't have eyes on him – she has eyes everywhere in this city. Some of what he gets up to he tells her about. Some of it she sees or hears about.
Some she only pieces together after the fact.
For example:
Four days into his stay she sees a flurry of alerts and messages about a gang of thugs that had decided to tangle with him in a Lowtown market. The videos of him throwing them into plate glass windows and walls and storefront doors travel through Madripoor like wildfire.
And then there are the rumors. It's public knowledge he killed Cade and that he's been seen with the art dealer: what no one knows is why, and the whispers grow steadily more frenetic as the week rolls on. The general consensus seems to be that the art dealer had Cade disposed of in order to help her own climb to power. More than one person attempts to contract him for help with an unsolvable problem. No one manages to hire him. No one seems to know what he wants.
Worse is that as the power dynamic between those on the lower rung vying for Selby's position fluctuates, he deliberately allows himself to be seen more often, delves more deeply into Madripoor's seedy shadows. She doesn't understand until her security catches a would-be assassin she saw coming a mile away, and then she realizes: his involvement with her, with Cade, has painted a target on her back.
So he's decided to paint a larger one on his own.
He loses weight. She pushes breakfast and dinner at him, but he eats mechanically, hardly seems to notice. The lines drawn on his face seem carved into rock. He stops smiling except occasionally when they're alone in the middle of the night, or when his phone pings with a text from Sam.
On the fifth night, he stops sleeping.
He wakes up from a nightmare he refuses to talk about, and for the next few days she doesn't see him sleep at all. He's catching catnaps like he used to back in the Winter Soldier days, she thinks, but she's not sure. Every day he's a little quieter, a little more grim.
Which is why it's so strange that her apartment is completely filled with flowers.
Everywhere she looks now, there they are: large, expensive bouquets in fancy vases on nearly every available surface. He's had one delivered every single day, and every day she hates herself a little more for bringing him here. Every day he tells her come home with me.
Every day she tells him I can't. And he looks at her with those determined, weary eyes, and her heart breaks a little more.
It's a little over a week after he'd first arrived that she's hosting clients again. The party hasn't even started, and she already wishes she had a drink.
(There weren't any flowers today. She wonders if that's a sign.)
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He takes a sip of champagne before concluding,
"Let's just say I understand having multiple accounts. Most of mine are from ... before."
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"'Talk to my parents.'"
She actually has no idea if her parents think she's dead or just missing, isn't sure what Fury might have told them or the government or anyone other than T'Challa.
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"They'll be happy to see you," he murmurs.
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"Baby, you don't know how much it means to me that you checked in on them. Thank you."
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"Um...'get some new clothes.'"
She is sick to death of wearing all black all the time.
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"New York's good for shopping."
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"Even though I guess it'll pretty much have to be online shopping until these first few things get crossed off."
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She looks back at the list, tapping the pen thoughtfully. "Am I missing anything?"
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"Yeah, well, I can still help out."
Bucky looks thoughtfully down at her list.
"Nothing's coming to me now. But we can always add more as we think of it."
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"Something on your mind?"
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Do the work, he hears Sam say, and a small, rueful smile quirks the corner of his mouth. Start with one.
"Things I've got to work on."
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She finishes her meal and pushes the plate away, then sips at her champagne. "Anything I can help with?"
From inside the apartment, anyway.
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"I don't know. I don't... I don't think so." Bucky meets her eyes, and although the look in his now is more tired than before, it's somehow also accepting.
"I think it's something I have to do. To... give people closure."
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To give people closure. She thinks back to so many conversations back in Wakanda, and flips the notebook back open to the pages with his handwriting. To the list of names. "These people?"
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"But these... these are people I hurt. As the Winter Soldier."
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"You're right. I probably can't help with it. Not with the closure part, anyway." Her smile is very sweet as she reaches for his hand. "But I'll be there to help you. If you want."
To talk, or not talk if that's what he needs. To help him plan. To be there when he gets back.
It's all possible now.
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She thinks of how alone he's been for the last six months and has to quell a spark of fury in her chest. There's no one to be angry with but herself, and there's nothing she can do to get those six months or her six years back. There's only forward.
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"I better go check the instruments. I mean, I'd hear if the alarms were going off, but it's a good idea to keep an eye on things."
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They will, she knows. Her trust in him is absolute. In the meantime, she gets up and clears the dishes, scraping them into a trash bag and sliding them into the little sanitizer before she gets the open bottle of champagne and refills her flute before she wanders along the body of the jet, poking into every nook and cranny she can find.
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Eventually, having confirmed that all's well and looking to stay that way, he gets up and walks back toward the cabin, leaning against the wall and watching Sharon explore.
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Honestly, he didn't strike her as much of a 'movie' guy, anyway. "How we doing? Skies clear?"
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