Sharon Carter (
from_the_outside) wrote2021-05-01 03:01 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
[oom] you don't need to save me, but would you run away with me? // Part 2
It's a long, long week.
All the weeks here are long. She's been exhausted since she first arrived, and it hasn't gotten any easier – she's just gotten used to it.
What she isn't used to is watching what it does to Bucky.
He keeps busy, vanishing shortly after breakfast and not reappearing until well after dark, sometimes not until close to midnight. That doesn't mean she doesn't have eyes on him – she has eyes everywhere in this city. Some of what he gets up to he tells her about. Some of it she sees or hears about.
Some she only pieces together after the fact.
For example:
Four days into his stay she sees a flurry of alerts and messages about a gang of thugs that had decided to tangle with him in a Lowtown market. The videos of him throwing them into plate glass windows and walls and storefront doors travel through Madripoor like wildfire.
And then there are the rumors. It's public knowledge he killed Cade and that he's been seen with the art dealer: what no one knows is why, and the whispers grow steadily more frenetic as the week rolls on. The general consensus seems to be that the art dealer had Cade disposed of in order to help her own climb to power. More than one person attempts to contract him for help with an unsolvable problem. No one manages to hire him. No one seems to know what he wants.
Worse is that as the power dynamic between those on the lower rung vying for Selby's position fluctuates, he deliberately allows himself to be seen more often, delves more deeply into Madripoor's seedy shadows. She doesn't understand until her security catches a would-be assassin she saw coming a mile away, and then she realizes: his involvement with her, with Cade, has painted a target on her back.
So he's decided to paint a larger one on his own.
He loses weight. She pushes breakfast and dinner at him, but he eats mechanically, hardly seems to notice. The lines drawn on his face seem carved into rock. He stops smiling except occasionally when they're alone in the middle of the night, or when his phone pings with a text from Sam.
On the fifth night, he stops sleeping.
He wakes up from a nightmare he refuses to talk about, and for the next few days she doesn't see him sleep at all. He's catching catnaps like he used to back in the Winter Soldier days, she thinks, but she's not sure. Every day he's a little quieter, a little more grim.
Which is why it's so strange that her apartment is completely filled with flowers.
Everywhere she looks now, there they are: large, expensive bouquets in fancy vases on nearly every available surface. He's had one delivered every single day, and every day she hates herself a little more for bringing him here. Every day he tells her come home with me.
Every day she tells him I can't. And he looks at her with those determined, weary eyes, and her heart breaks a little more.
It's a little over a week after he'd first arrived that she's hosting clients again. The party hasn't even started, and she already wishes she had a drink.
(There weren't any flowers today. She wonders if that's a sign.)
All the weeks here are long. She's been exhausted since she first arrived, and it hasn't gotten any easier – she's just gotten used to it.
What she isn't used to is watching what it does to Bucky.
He keeps busy, vanishing shortly after breakfast and not reappearing until well after dark, sometimes not until close to midnight. That doesn't mean she doesn't have eyes on him – she has eyes everywhere in this city. Some of what he gets up to he tells her about. Some of it she sees or hears about.
Some she only pieces together after the fact.
For example:
Four days into his stay she sees a flurry of alerts and messages about a gang of thugs that had decided to tangle with him in a Lowtown market. The videos of him throwing them into plate glass windows and walls and storefront doors travel through Madripoor like wildfire.
And then there are the rumors. It's public knowledge he killed Cade and that he's been seen with the art dealer: what no one knows is why, and the whispers grow steadily more frenetic as the week rolls on. The general consensus seems to be that the art dealer had Cade disposed of in order to help her own climb to power. More than one person attempts to contract him for help with an unsolvable problem. No one manages to hire him. No one seems to know what he wants.
Worse is that as the power dynamic between those on the lower rung vying for Selby's position fluctuates, he deliberately allows himself to be seen more often, delves more deeply into Madripoor's seedy shadows. She doesn't understand until her security catches a would-be assassin she saw coming a mile away, and then she realizes: his involvement with her, with Cade, has painted a target on her back.
So he's decided to paint a larger one on his own.
He loses weight. She pushes breakfast and dinner at him, but he eats mechanically, hardly seems to notice. The lines drawn on his face seem carved into rock. He stops smiling except occasionally when they're alone in the middle of the night, or when his phone pings with a text from Sam.
On the fifth night, he stops sleeping.
He wakes up from a nightmare he refuses to talk about, and for the next few days she doesn't see him sleep at all. He's catching catnaps like he used to back in the Winter Soldier days, she thinks, but she's not sure. Every day he's a little quieter, a little more grim.
Which is why it's so strange that her apartment is completely filled with flowers.
Everywhere she looks now, there they are: large, expensive bouquets in fancy vases on nearly every available surface. He's had one delivered every single day, and every day she hates herself a little more for bringing him here. Every day he tells her come home with me.
Every day she tells him I can't. And he looks at her with those determined, weary eyes, and her heart breaks a little more.
It's a little over a week after he'd first arrived that she's hosting clients again. The party hasn't even started, and she already wishes she had a drink.
(There weren't any flowers today. She wonders if that's a sign.)
no subject
His left hand is hidden behind his back as he starts into the room. She's lying on the couch, and he crosses toward her with a tired, wry smile.
"Hey," he says, softly, and pulls the bouquet of flowers from behind his back as he draws near. The street vendor had only had a few arrangements, all clearly designed for late-night impulse purchases, but it'd been far, far better than nothing. The bouquet has a few slightly-bruised roses and tulips and some things he doesn't know, with a bunch of greenery around it all, but they're fresh and brightly colored and hopefully the gesture alone will mean something.
"I didn't want you to think I forgot."
no subject
So she can see it clearly. She sees the crinkled plastic wrap around the stems, the lightly bruised roses, a tulip or two whose petals have simply given up the ghost and fallen off; the baby's breath and green fronds of something she can't identify.
(She sees drops of dried blood on his hand and chunks of shattered glass caught in the rumpled sleeve of his jacket.)
Reaching slowly out, she draws the bouquet into her hands and lifts it to her face to breathe in its scent: the roses are nearly overpowering, and rose has never been her favorite scent anyway, but it doesn't matter.
He brought her flowers.
He's chased her to Madripoor, refused to leave. Killed a man. Sank willingly into the lowest dregs of this filthy world. He hasn't slept or properly eaten for days. He just chased a murderer who tried to kill every damn person in the gallery.
And he brought her flowers, because at his core there is something bright and beautiful and good and she knows, she knows, as her eyes burn and tears begin to drop onto this simple, sweet bouquet, that Madripoor will do its best to smother it.
And she, God help her: she is not willing to sacrifice him. "Okay," she says, finally, after a long, long moment. Her voice is thick and her throat is sore now for a totally different reason. "You win."
She looks up at him, finally, her eyes bright and swimming with tears. "Let's go home."
no subject
It's because he can't. It's so unexpected, so out of the blue, that he can't take it in; can't absorb it, can't fathom it.
Slowly, Bucky drops to his knees beside the couch, in front of her, and reaches out with his right hand to touch her cheek, feather-soft.
His fingers are trembling.
"Angel," he whispers, throat aching. "Baby, do you mean it?"
no subject
She's known it since he got here, hasn't she? This is the only way to save him. He won't leave. Madripoor is killing him. So she can't stay.
She doesn't know how they'll manage it, how they'll sneak her in, what she'll do about her cover, about Madripoor, about the Power Broker... But the look in his eyes banishes every single thought except one.
They're going home.
"I mean it."
no subject
"Sharon, Sharon, baby, you won't regret it, I promise you won't, I'll make sure of it--"
Each word is thick and rough with emotion.
no subject
"I know," she tells him, muffled into his skin and his collar, and the tears are flowing fast and thick now, even as something in her chest cracks and turns over and begins to warm itself for the first time in six years. She laughs thickly and lifts her head to look at him, stroking his face with her free hand. "I could never regret choosing to be with you. My sweetheart."
She smiles at him, soft and aching. "I love you. Let's go home."
no subject
"Don't cry, baby, Sharon, please--" He realizes he's on the verge of tears himself, and chokes back a laugh as he leans in to kiss her. "I love you too. Oh god, I love you so much. We're going home. I'm taking you home."
no subject
Happy. When was the last time she was happy. She thinks of wide fields and a calm lake and a little hut full of the scent of fresh-brewed coffee.
And him. Always him.
It's like she hit a switch and that beautiful, good, golden core of him suddenly expansed like a dying star, flooded through him like a spotlight. She can hardly look at him now, he's shining so brightly.
God, she loves him so much she thinks her heart will break from it. "Yes, we are. Yes, you are."
She runs a fond thumb over his cheek. "We have to figure out how and what to do, but yes, baby. Yes. We're going home."
no subject
He smiles, sudden and heartstoppingly bright, and repeats the plea he's been making all this time, just to hear her say it again - just to be sure it's not a dream.
"Come home with me, Sharon."
no subject
"Yes," she whispers when she pulls away again. She can't stop her own smile from shining out like the sun. "Okay. I'll come home with you."
no subject
She looks happy. Exhausted, a little frazzled by the strain of the night and her near death, but happy, and some of the weight he's been carrying this whole week lightens at the sight.
He leans in to kiss her again, then puts his left hand on the arm of the couch as he starts to shift up to sit beside her - and notices the splash of Anders' blood on his left wrist as he reaches to brace himself. Bucky grimaces at his left hand and tucks it quickly behind his back, then touches her cheek with his right hand instead.
no subject
As she cleans, her mind works at this new problem. How do they leave, how does she escape, without the hounds of Madripoor baying at her heels?
She has a kernel of an idea. She lifts his hand to breathe on it, uses the vapor to polish up the cleaned spot as she lets it turn over in her head.
no subject
He doesn't say anything. He's not sure he could speak if he tried. He just watches, his eyes wide and dark.
no subject
"There," she says, and strokes the back of his hand with her thumb, her fingers curled under his. "All better."
no subject
no subject
"I have an idea," she tells him. "About how to get away. But I don't think you're going to like it very much."
no subject
"What is it?"
no subject
"It'll mean faking my death again," she tells him, and then adds, wry,
"And you'll probably get blamed for it."
no subject
"Me?"
no subject
Tugging lightly on his hand, she shifts so there's room for him to join her on the couch. She still feels light-headed and her chest hurts, but her thoughts are clear and a plan is beginning to lay itself out before her. "Come here, let me explain."
no subject
"Okay," he says, on a long, weary sigh. "Tell me."
no subject
Once he's settled, she turns, letting one leg curl up into his lap so she can face him. "If we're going to get out of here without a host of bounty hunters on our tail," she tells him, "we need a clean break. Anders is with Mateo, right?"
She hardly waits for his acknowledgment before pushing onward, thoughts piling up almost faster than she can speak them. "I'll fire the security team for allowing the attack and hole up here. At the same time, I'll suggest to Mateo that I was the mastermind behind this attack, not Anders. I invited all my competitors to one place and set Anders up."
She watches him closely. "We'll set a bomb in the penthouse. I'll die in the blast, you'll disappear. Madripoor will think that you've been keeping an eye on me all along, maybe for the Power Broker, maybe for Mateo. That you won my trust and convinced me to fire the security team – after all, you've been dismissive of them since you got here. And that once my guard was down, you struck."
A thought hits her, and she almost smiles. "And you'd take the Danish egg on your way out, of course. As reparations."
She sits back, spreads her hands. "That gets rid of the art dealer, gives you a way to disappear and never come back, and still lets me operate as the Power Broker even outside of Madripoor."
no subject
"Why tell Mateo you were the mastermind?" he asks. "To get him gunning for you?"
no subject
She shrugs. No great loss there. "All we need is enough of a rumor that it wouldn't be strange for someone to take me out. Especially if the Power Broker gets pissed that I almost killed his favorite."
no subject
There's something odd - something taut and edged with darkness -in his voice for a moment before he gets it back under control, cool and neutral and even.
"And with the conversation I had with Lin Chao earlier - if anyone remembers it after all this - people will believe the Winter Soldier reclaimed the Russian treasure as payment. Easily."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...