Sharon Carter (
from_the_outside) wrote2021-05-01 03:01 pm
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[oom] you don't need to save me, but would you run away with me? // Part 2
It's a long, long week.
All the weeks here are long. She's been exhausted since she first arrived, and it hasn't gotten any easier – she's just gotten used to it.
What she isn't used to is watching what it does to Bucky.
He keeps busy, vanishing shortly after breakfast and not reappearing until well after dark, sometimes not until close to midnight. That doesn't mean she doesn't have eyes on him – she has eyes everywhere in this city. Some of what he gets up to he tells her about. Some of it she sees or hears about.
Some she only pieces together after the fact.
For example:
Four days into his stay she sees a flurry of alerts and messages about a gang of thugs that had decided to tangle with him in a Lowtown market. The videos of him throwing them into plate glass windows and walls and storefront doors travel through Madripoor like wildfire.
And then there are the rumors. It's public knowledge he killed Cade and that he's been seen with the art dealer: what no one knows is why, and the whispers grow steadily more frenetic as the week rolls on. The general consensus seems to be that the art dealer had Cade disposed of in order to help her own climb to power. More than one person attempts to contract him for help with an unsolvable problem. No one manages to hire him. No one seems to know what he wants.
Worse is that as the power dynamic between those on the lower rung vying for Selby's position fluctuates, he deliberately allows himself to be seen more often, delves more deeply into Madripoor's seedy shadows. She doesn't understand until her security catches a would-be assassin she saw coming a mile away, and then she realizes: his involvement with her, with Cade, has painted a target on her back.
So he's decided to paint a larger one on his own.
He loses weight. She pushes breakfast and dinner at him, but he eats mechanically, hardly seems to notice. The lines drawn on his face seem carved into rock. He stops smiling except occasionally when they're alone in the middle of the night, or when his phone pings with a text from Sam.
On the fifth night, he stops sleeping.
He wakes up from a nightmare he refuses to talk about, and for the next few days she doesn't see him sleep at all. He's catching catnaps like he used to back in the Winter Soldier days, she thinks, but she's not sure. Every day he's a little quieter, a little more grim.
Which is why it's so strange that her apartment is completely filled with flowers.
Everywhere she looks now, there they are: large, expensive bouquets in fancy vases on nearly every available surface. He's had one delivered every single day, and every day she hates herself a little more for bringing him here. Every day he tells her come home with me.
Every day she tells him I can't. And he looks at her with those determined, weary eyes, and her heart breaks a little more.
It's a little over a week after he'd first arrived that she's hosting clients again. The party hasn't even started, and she already wishes she had a drink.
(There weren't any flowers today. She wonders if that's a sign.)
All the weeks here are long. She's been exhausted since she first arrived, and it hasn't gotten any easier – she's just gotten used to it.
What she isn't used to is watching what it does to Bucky.
He keeps busy, vanishing shortly after breakfast and not reappearing until well after dark, sometimes not until close to midnight. That doesn't mean she doesn't have eyes on him – she has eyes everywhere in this city. Some of what he gets up to he tells her about. Some of it she sees or hears about.
Some she only pieces together after the fact.
For example:
Four days into his stay she sees a flurry of alerts and messages about a gang of thugs that had decided to tangle with him in a Lowtown market. The videos of him throwing them into plate glass windows and walls and storefront doors travel through Madripoor like wildfire.
And then there are the rumors. It's public knowledge he killed Cade and that he's been seen with the art dealer: what no one knows is why, and the whispers grow steadily more frenetic as the week rolls on. The general consensus seems to be that the art dealer had Cade disposed of in order to help her own climb to power. More than one person attempts to contract him for help with an unsolvable problem. No one manages to hire him. No one seems to know what he wants.
Worse is that as the power dynamic between those on the lower rung vying for Selby's position fluctuates, he deliberately allows himself to be seen more often, delves more deeply into Madripoor's seedy shadows. She doesn't understand until her security catches a would-be assassin she saw coming a mile away, and then she realizes: his involvement with her, with Cade, has painted a target on her back.
So he's decided to paint a larger one on his own.
He loses weight. She pushes breakfast and dinner at him, but he eats mechanically, hardly seems to notice. The lines drawn on his face seem carved into rock. He stops smiling except occasionally when they're alone in the middle of the night, or when his phone pings with a text from Sam.
On the fifth night, he stops sleeping.
He wakes up from a nightmare he refuses to talk about, and for the next few days she doesn't see him sleep at all. He's catching catnaps like he used to back in the Winter Soldier days, she thinks, but she's not sure. Every day he's a little quieter, a little more grim.
Which is why it's so strange that her apartment is completely filled with flowers.
Everywhere she looks now, there they are: large, expensive bouquets in fancy vases on nearly every available surface. He's had one delivered every single day, and every day she hates herself a little more for bringing him here. Every day he tells her come home with me.
Every day she tells him I can't. And he looks at her with those determined, weary eyes, and her heart breaks a little more.
It's a little over a week after he'd first arrived that she's hosting clients again. The party hasn't even started, and she already wishes she had a drink.
(There weren't any flowers today. She wonders if that's a sign.)
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"It'll mean faking my death again," she tells him, and then adds, wry,
"And you'll probably get blamed for it."
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"Me?"
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Tugging lightly on his hand, she shifts so there's room for him to join her on the couch. She still feels light-headed and her chest hurts, but her thoughts are clear and a plan is beginning to lay itself out before her. "Come here, let me explain."
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"Okay," he says, on a long, weary sigh. "Tell me."
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Once he's settled, she turns, letting one leg curl up into his lap so she can face him. "If we're going to get out of here without a host of bounty hunters on our tail," she tells him, "we need a clean break. Anders is with Mateo, right?"
She hardly waits for his acknowledgment before pushing onward, thoughts piling up almost faster than she can speak them. "I'll fire the security team for allowing the attack and hole up here. At the same time, I'll suggest to Mateo that I was the mastermind behind this attack, not Anders. I invited all my competitors to one place and set Anders up."
She watches him closely. "We'll set a bomb in the penthouse. I'll die in the blast, you'll disappear. Madripoor will think that you've been keeping an eye on me all along, maybe for the Power Broker, maybe for Mateo. That you won my trust and convinced me to fire the security team – after all, you've been dismissive of them since you got here. And that once my guard was down, you struck."
A thought hits her, and she almost smiles. "And you'd take the Danish egg on your way out, of course. As reparations."
She sits back, spreads her hands. "That gets rid of the art dealer, gives you a way to disappear and never come back, and still lets me operate as the Power Broker even outside of Madripoor."
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"Why tell Mateo you were the mastermind?" he asks. "To get him gunning for you?"
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She shrugs. No great loss there. "All we need is enough of a rumor that it wouldn't be strange for someone to take me out. Especially if the Power Broker gets pissed that I almost killed his favorite."
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There's something odd - something taut and edged with darkness -in his voice for a moment before he gets it back under control, cool and neutral and even.
"And with the conversation I had with Lin Chao earlier - if anyone remembers it after all this - people will believe the Winter Soldier reclaimed the Russian treasure as payment. Easily."
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She reaches to lay a hand gently on his cheek. "I'm sorry, baby. But it could work. We could go – tonight, even. Tomorrow at the latest."
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"Tomorrow. Time for the rumors to spread. Time to source and set the explosive. Time for me to get the plane ready without anyone realizing."
Bucky sighs. "I hate it. But it's a good plan. It should work. Fury'd laugh himself sick."
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But there's a tiny smile crooking the corner of her mouth after she blows out a sigh and coughs again to clear her throat. "But we're going home. It'll be worth it."
And this time she's going to make sure nothing, nothing at all, stands in their way.
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He's eyeing her a little more carefully now, the reason for which becomes clear when he asks,
"In the meantime... what did the doctor tell you?"
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"She gave me a shot and some oxygen. A little rest, I'll be fine."
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"Uh-huh," he says, dryly. "Why don't we get you cleaned up, in some clothes that don't have poison residue on them, and then see?"
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One last night here. She can't say she'll miss the place. Putting a hand on his shoulder, she pushes herself up and off the couch to set actions to words.
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"I have legs, you know," she points out. "They work and everything."
Not that she's complaining. If he wants to carry her around, let him; she doesn't want to be more than an arm's length from him, either.
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"Bath or shower?"
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Bucky disappears through the door into the bedroom and goes to retrieve soft, comfortable clothing for her. He's back in very short order, and examining her to see how difficult it'd been for her to stand while he was gone.
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"Thanks," she tells him, and nods to the counter. "You can just leave them there."
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From his manner, he's focused on practicality rather than anything else.
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"Bucky, your leg –"
He's right about her not having it in herself to stand for too long, but she walks slowly over to him to look him over, hissing like it's her own leg that's been scraped raw. "That looks like it hurts."
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