Sharon Carter (
from_the_outside) wrote2021-05-01 03:01 pm
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[oom] you don't need to save me, but would you run away with me? // Part 2
It's a long, long week.
All the weeks here are long. She's been exhausted since she first arrived, and it hasn't gotten any easier – she's just gotten used to it.
What she isn't used to is watching what it does to Bucky.
He keeps busy, vanishing shortly after breakfast and not reappearing until well after dark, sometimes not until close to midnight. That doesn't mean she doesn't have eyes on him – she has eyes everywhere in this city. Some of what he gets up to he tells her about. Some of it she sees or hears about.
Some she only pieces together after the fact.
For example:
Four days into his stay she sees a flurry of alerts and messages about a gang of thugs that had decided to tangle with him in a Lowtown market. The videos of him throwing them into plate glass windows and walls and storefront doors travel through Madripoor like wildfire.
And then there are the rumors. It's public knowledge he killed Cade and that he's been seen with the art dealer: what no one knows is why, and the whispers grow steadily more frenetic as the week rolls on. The general consensus seems to be that the art dealer had Cade disposed of in order to help her own climb to power. More than one person attempts to contract him for help with an unsolvable problem. No one manages to hire him. No one seems to know what he wants.
Worse is that as the power dynamic between those on the lower rung vying for Selby's position fluctuates, he deliberately allows himself to be seen more often, delves more deeply into Madripoor's seedy shadows. She doesn't understand until her security catches a would-be assassin she saw coming a mile away, and then she realizes: his involvement with her, with Cade, has painted a target on her back.
So he's decided to paint a larger one on his own.
He loses weight. She pushes breakfast and dinner at him, but he eats mechanically, hardly seems to notice. The lines drawn on his face seem carved into rock. He stops smiling except occasionally when they're alone in the middle of the night, or when his phone pings with a text from Sam.
On the fifth night, he stops sleeping.
He wakes up from a nightmare he refuses to talk about, and for the next few days she doesn't see him sleep at all. He's catching catnaps like he used to back in the Winter Soldier days, she thinks, but she's not sure. Every day he's a little quieter, a little more grim.
Which is why it's so strange that her apartment is completely filled with flowers.
Everywhere she looks now, there they are: large, expensive bouquets in fancy vases on nearly every available surface. He's had one delivered every single day, and every day she hates herself a little more for bringing him here. Every day he tells her come home with me.
Every day she tells him I can't. And he looks at her with those determined, weary eyes, and her heart breaks a little more.
It's a little over a week after he'd first arrived that she's hosting clients again. The party hasn't even started, and she already wishes she had a drink.
(There weren't any flowers today. She wonders if that's a sign.)
All the weeks here are long. She's been exhausted since she first arrived, and it hasn't gotten any easier – she's just gotten used to it.
What she isn't used to is watching what it does to Bucky.
He keeps busy, vanishing shortly after breakfast and not reappearing until well after dark, sometimes not until close to midnight. That doesn't mean she doesn't have eyes on him – she has eyes everywhere in this city. Some of what he gets up to he tells her about. Some of it she sees or hears about.
Some she only pieces together after the fact.
For example:
Four days into his stay she sees a flurry of alerts and messages about a gang of thugs that had decided to tangle with him in a Lowtown market. The videos of him throwing them into plate glass windows and walls and storefront doors travel through Madripoor like wildfire.
And then there are the rumors. It's public knowledge he killed Cade and that he's been seen with the art dealer: what no one knows is why, and the whispers grow steadily more frenetic as the week rolls on. The general consensus seems to be that the art dealer had Cade disposed of in order to help her own climb to power. More than one person attempts to contract him for help with an unsolvable problem. No one manages to hire him. No one seems to know what he wants.
Worse is that as the power dynamic between those on the lower rung vying for Selby's position fluctuates, he deliberately allows himself to be seen more often, delves more deeply into Madripoor's seedy shadows. She doesn't understand until her security catches a would-be assassin she saw coming a mile away, and then she realizes: his involvement with her, with Cade, has painted a target on her back.
So he's decided to paint a larger one on his own.
He loses weight. She pushes breakfast and dinner at him, but he eats mechanically, hardly seems to notice. The lines drawn on his face seem carved into rock. He stops smiling except occasionally when they're alone in the middle of the night, or when his phone pings with a text from Sam.
On the fifth night, he stops sleeping.
He wakes up from a nightmare he refuses to talk about, and for the next few days she doesn't see him sleep at all. He's catching catnaps like he used to back in the Winter Soldier days, she thinks, but she's not sure. Every day he's a little quieter, a little more grim.
Which is why it's so strange that her apartment is completely filled with flowers.
Everywhere she looks now, there they are: large, expensive bouquets in fancy vases on nearly every available surface. He's had one delivered every single day, and every day she hates herself a little more for bringing him here. Every day he tells her come home with me.
Every day she tells him I can't. And he looks at her with those determined, weary eyes, and her heart breaks a little more.
It's a little over a week after he'd first arrived that she's hosting clients again. The party hasn't even started, and she already wishes she had a drink.
(There weren't any flowers today. She wonders if that's a sign.)
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"I'd like to hear what he has to say."
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"I was part of it, Sharon. I just didn't know I was. Fury brought me into it to bribe you. He can deal with the consequences."
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He knows as well as she does that Fury had already weighed all possible outcomes and come out on the side of this is fine. Hell, she doesn't even know if she's angry with him about it anymore. He didn't get snapped by Thanos on purpose.
"What could he possibly say that would justify any of it to you? There's nothing."
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"Maybe I just don't want you to have to deal with him on your own."
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"Remember how you promised not to shoot him?" she asks. "You still mean it, right?"
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"If you want to sit in, fine," she tells him. "But if it turns into a shouting match, I'm breaking it up. It happened. He did what he did, I did what I did. If you're going to be angry at anyone, it may as well be me."
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Her stomach is in knots again. She should have some water.
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"It'll be okay, baby," he murmurs. "I'll be good."
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His hand is warm and real and gentle and she doesn't understand why he hasn't gotten angry at her yet.
She's the one who left. She's the one who didn't tell him the truth about the mission. She's the one who stayed in Madripoor and didn't reach out, not to him, not to anyone, when they came back. He'd always worried about hurting her, but she's the one who hurt him, terribly. "I get it."
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He runs his thumb over her fingers, slowly, back and forth.
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It's one thing if she'd had to, if she hadn't had any choice. She'd convinced herself that was true.
But then he appeared and it turned out it wasn't. And she'd chosen wrong, again and again. "I'm not angry at him, Bucky. Not anymore. It stopped being his fault when Thanos snapped his fingers."
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"You don't have to be mad at him if you don't want to be," he says, quietly. "It's okay, baby."
He says nothing about his own anger, and keeps the lid on it tamped down firmly.
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"And who knows if he'll even let himself be found."
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Although he's pretty sure that if he puts his mind to it, there's nowhere on the planet that Fury can hide from him. Not forever.
"We'll figure it out. In Brooklyn."
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He's so certain. It's easy to just... choose to believe him. She smiles at him, a little, and squeezes his hand before she lets go and gets up. "I'm going to get some water. Want anything else while I'm up?"
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Cracking her bottle open, she takes a long swallow, then leans her head back against the seat as she looks out the window.
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"What's up? Someone in our way?"
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"In case of bad weather or something like that."
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Another swallow of water and she caps the bottle, sets it into the cupholder so she can put her hands in her lap and lean back again. "Good planning."
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She's exhausted. He's tired, but he's still got enough left to push through, especially with a nap somewhere along the way. But Sharon's running on her very last nerve and the end of her stamina, and he's pretty sure what's keeping her upright now is nothing more than pure will.
Maybe there's something he can do to help with that.
Instead of starting to point out different constellations and passing distant flights, he decides to stay quiet, letting the soft beeps and chirps of the instrumentation blend with the rush of air past the plane.
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